Intimate dining alcove with an emerald velvet banquette in an arched backlit niche hung with botanical and abstract artwork, green velvet chairs, a dark-wood table set with wine glasses, and fluted-wood and glass screens on a terrazzo-and-marble floor

Hospitality

Fine-Dining Restaurant

A fine-dining restaurant interior in a dark, layered palette of deep green, walnut, antique brass and terrazzo — emerald velvet seating, fluted glass and wood, and warm low lighting across the dining hall, bar, private room and intimate booths.

Restaurant Interior Commercial

A moody, grown-up dining room built for atmosphere — fluted-glass screens and antique-brass lighting, banquettes wrapped in emerald velvet, and hand-laid terrazzo floors that carry from the host stand through to the private dining room.

Main dining hall with a large tiered fluted-glass and brass chandelier, emerald velvet banquettes and chairs, walnut panelling, fluted-glass screens, potted palms and warm cove lighting

Host stand in reeded walnut with a brass base and a brass dome lamp, a backlit fluted-wood feature wall, brass wall sconces on deep-green walls, and a terrazzo floor with the dining room beyond

Window-side dining booth with a curved emerald velvet banquette and chair, a white-linen table set with wine glasses and a candle, fluted-glass screens, and greenery through floor-to-ceiling windows

Curved fluted-wood bar with a brass foot rail and marble top, brown leather bar stools, a backlit shelf of bottles, and brass dome table lamps against a deep-green wall on a terrazzo floor

Rounded corner booth with a curved emerald velvet banquette around a circular wood table, a backlit textured-plaster wall, a brass dome pendant, and fluted-glass and wood screens on a terrazzo floor

Private dining room with a long table for twelve, emerald velvet chairs, a fluted-wood feature wall, a brass pendant and wall sconces, and a terrazzo floor bordered in dark marble

Washroom corridor in deep green with walnut wainscoting, ribbed-brass wall sconces, arched doorways, and a dark marble vanity with a backlit oval mirror and fresh flowers over a terrazzo-and-marble floor

A dark, atmospheric dining room

This fine-dining restaurant was designed around mood. Rather than a bright, open room, the brief called for a low-lit, enveloping space that feels intimate at any table and holds its atmosphere from lunch through to late dinner. Deep-green walls, dark walnut and warm pools of light do the work, so guests feel tucked into the room rather than exposed within it.

A material palette of green, walnut and brass

The scheme is built on a tight, considered set of materials: deep forest-green walls and emerald velvet upholstery, rich walnut panelling and reeded joinery, antique-brass lighting and trims, and hand-laid terrazzo floors bordered in dark marble. Fluted glass and fluted wood recur throughout as screens and feature walls, catching the warm light and softly separating one area from the next.

Seating for every occasion

The room is planned as a series of distinct settings. The main hall, anchored by a large tiered fluted-glass chandelier, mixes velvet banquettes with freestanding tables; window-side booths look onto greenery; and tucked-away corner booths, wrapped in curved velvet beneath textured, backlit walls, offer more private tables. A separate private dining room seats a long party of twelve under its own pendant and reeded-wood wall.

Bar and arrival

The bar is a focal point in its own right — a curved, fluted-wood counter with a brass foot rail and a backlit display of bottles, framed by leather stools and soft dome lamps. At the entrance, a reeded-walnut host stand set against a backlit feature wall establishes the restaurant’s tone the moment guests step in.

Considered down to the washrooms

The detailing carries all the way through. Even the washroom corridor is treated as part of the experience — deep-green walls, walnut wainscoting, ribbed-brass sconces and a marble vanity with a backlit mirror, over the same terrazzo that runs through the restaurant.

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